I did say fancy.

Aren’t sqilte files themselves (like most other things) just fancy text files?

Blocklists are ineffective by design. Each and every member of the swarm can collect all the data necessary to flag you to your ISP. Obviously any professional collecting this kind of data can avoid a blocklist. There is no such thing as a better blocklist.

Teach us then 😭

I think this hits on another big generational difference. Those who grew up in the early days of personal computing and the Internet didn’t have teachers or a hallucinating language model to spoon feed them instant answers. They had to actually RTFM thoroughly before they could even think of asking in some arcane BBS, forum, or IRC for help from elders that had absolutely zero tolerance for incompetence or ignorance. MAN pages and help files came bundled, but the Internet (if you had it) was metered and inconvenient on a scale more like going to the library than ordering a pizza. They had to figure out how to ask the right questions. They had to figure out how to find their own answers. The Internet was so slow that all the really interesting bits were often just text. So much indexed and categorized one might need to learn a little more just to find the right details in that sea of text. There was a lot less instant gratification and no one expected to be able to solve their problems just by asking for help.

I’ve seen way too many kids give up at the first pebble in their path because they are so accustomed to the instant gratification that has pervaded our culture since the dawn of smart phones.

A decade ago we figured out blacklists were ineffective. What’s changed?

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I bet you go to Taco Bell for Cinco de mayo too.

Found the bigot.

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Downloading from YouTube or Spotify is still piracy. And those sources offer mostly shit quality far removed from the artist’s intent.

Believe it of not, there are things that aren’t on Spotify, YouTube, TIDAL, Apple Music, Bandcamp, or any streaming service. Sometimes when a streaming service does have a song or album, it’s either not the best quality or only a radio censored version available, even if Spotify claims it’s the explicit version. And that explicit tag feels like a slander because the original intent should be default and the radio edits should be the one’s with the CENSORED tag.

There is great music out there you can’t purchase or stream a digital release of.

There are old and often played CDs in my collection that can’t be ripped properly (by me) for one reason or another.

There are some really high quality vinyl recordings out there, done by people with better hardware and more skill than I. Again, many of these vinyl releases are not available in any other format and are no longer available for purchase anywhere.

The real primary reason I got into it, in the long ago times of Napster, was that I liked to make mixtapes/discs. When radio was no longer playing songs I wanted on those tapes, the wilds of Internet was the answer.

I still regularly support the artists I like as directly as I can: buying albums and merch directly from them at shows or their own websites. And I spend more of that money on more artists and especially less popular artists specifically because of the habits listed above.

In my experience, 2 devices will ultimately save you effort and frustration. Anything you choose as a good NAS/seedbox will be unlikely to have a good from the couch interface or handle Netflix reliable and easily. A small Android TV box may have a much better interface, simple app setup, and support all the streaming services, but probably won’t be very powerful or convenient to use as a NAS. The NAS is always on, plugged directly into the Internet access point, and tucked away out of sight and sound. The Android TV or Apple TV box is silent, small, and can be mounted directly to the Beamer/Projector.

Yes, Kodi exists and it’s add-ons can bridge this gap. But I still think that a SBC NAS running Jellyfin or plex + an Nvidia shield with jellyfin, Plex, Netflix, Spotify, YouTube, amaon, etc. will be so much easier to setup, manage, find support for, and upgrade.

I have a similar setup even though my server has a direct HDMI link to my TV. I’m not a fan of viewing using the server it from the couch. Setting up IR remotes sucks always. And it’s confusing for anyone but me to use. But if my Nvidia Shield dies or I’m having network trouble, VLC a pretty good backup.

Maybe they are illuminating their living room with the front end of a BMW.

Better yet, it’s a Pimp My Ride style makeover that replaces those unused turn signals with a projection system for an instant drive-in movie experience.

Like every system? What’s the actual distinction you’re trying to point out?

I think the more nuanced take is that we should be making “piracy” legal by expanding and protecting fair use and rights to make personal copies. There are lots of things that are called piracy now that really shouldn’t be. Making “piracy” legal still leaves plenty of room for artists to get paid.

I’m just curious how much RAM you think that is.

Docker compose is just a setting file for a container. It’s the same advantage you get using an ssh config file instead of typing out and specifying a user, IP, port, and private key to use each time. What’s the advantage to putting all my containers into one compose file? It’s not like I’m running docker commands from the terminal manually to start and stop them unless something goes wrong, I let systemd handle that. And I’d much rather the systemd be able to individually start, stop, and monitor individual containers rather than have to bring them all down if one fails.

Original? No. Usenet, BBS, IRC are the originals. Napster made it hip. Soul seek made it better. Then there was Limewire, DirectConnect, and some others. Then there was BitTorrent, which I really did use to download Linux ISOs before the rise of popular public and private trackers.

You don’t need to get too complicated with scripts if you let Picard do all the tagging and renaming. In my experience it works pretty well with the default out of the box configuration. Just don’t try to do your whole library at once, just go album by album and check each one is matching with the correct release. I was in the same boat about a decade ago and did the same, just a few albums a day getting tagged and renamed into a fresh music directory. And of course, make a backup first, just in case.

Lately I’ve been going through this process again because I messed up configuring Lidarr and many files got improperly renamed. Since they were all still properly tagged, fixing them has been easy, especially with Picard. I haven’t really bothered to find all the stray files yet (they’re still roughly in the right location) because Plex ignores the paths and just reads the tags so the misnamed files aren’t even noticable in Plex

When you say Plex interface remotely, are you referring to the Plex app or PlexAmp app? I feel like PlexAmp fixed all of my complaints about listening to music through Plex (the same app I use for videos).

Easytag works pretty well for me on Linux, when I’m not just using Picard. I use EasyTag mostly for fixing and normalizing the tags on audiobooks these days.