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Joined 1 year ago
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Cake day: July 12th, 2023

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  • If you use the public instance you don’t need to set up or host or install anything. You can selfhost it if you want, but the public instance works just fine.

    One person goes to the web page and starts a room. The other can join the same room by knowing the name of the room. (It will generate a link when you create a room to make it easy to send to someone so they can join by just clicking the link.)




  • I swear there was at least one more server I looked at but passed over and I cannot recall the name.

    Maybe Jellyfin? It’s best at movies/shows but it also handles music (and more). The native music experience isn’t great but it works. For Windows/Linux/Mac you can use Feishin (I use and mostly recommend it, also you can use the web app version). Android has Symfonium I use and highly recommend it, also it works with FAR more than just Jellyfin). I don’t use iOS but I just looked for an iOS app and found AmpFin (not to be confused with Finamp).

    You said your users have their own libraries. Jellyfin works great with this. Out each in its own folder, create a new library for each in Jellyfin (pointing to each folder), and you can choose which accounts can see which libraries (and optionally let them manage libraries too so they can delete songs or modify metadata for the libraries they have access to).

    I’m a fan of Jellyfin if you couldn’t tell…


  • I use Watchtower and haven’t had any major issues in the two(?) years I’ve been using it. Make sure you use persistent volumes for your containers and make sure you back up those volumes. If anything breaks, you can roll back to before the update.

    If you don’t use persistent volumes, you’ll lose data when Watchtower takes down the image and replaces it with the newer one (which doesn’t copy over ephemeral volumes).

    I also recommend for database containers to use an image tag that won’t update with breaking changes. Don’t use postgres:latest, use postgres:15.2 or something like that (whatever the image you’re using the database for recommends).



  • Portainer does store compose files though? I’ve manually used docker compose commands from the folders Portainer saves them in. They’re labeled with numbers instead of project names which makes it difficult to know which one you’re looking for, but I use rga so that wasn’t as much of an issue for me as it would have been otherwise. It was tedious, but the compose files very much exist on your hard drive.



  • It’s not overpopulation. We are seeing the results of late stage capitalism coming into effect. When you design the economy around an owning class vs a working class, the owning class will use its inherent leverage and capital to beget more leverage and capital. That happens at the expense of the working class. If your income mainly comes from working for money, you are part of the working class.

    The obvious solution here is to change the economic structure to not have an owning class at all or at least to keep it in check, but liberalism is not good at keeping it in check and leftism doesn’t have the momentum needed to change the world economic structure. Right now all we can do is make progress where we can, which means passing legislation that taxes and weakens the owning class in favor of supporting and empowering the working class through social programs and better pay and benefits. Unions will help you a TON here and more quickly than legislation, so look into joining/forming a union. Biden has changed the requirements for forming a union to make it really easy now. The other thing we can do is prevent fascists from tearing apart the systems we’ve built to allow that to even happen in the first place. That means not voting for or supporting right-wing politics.

    None of this is caused by overpopulation, and the myth that overpopulation is the main source of your problems directly benefits the owning class who is currently winning the zero-sum dynamic of owning vs working class. That dynamic is the reason things are bad and worsening. Join a union and vote for the most progressive viable candidate in both local and federal elections.



  • Radar and Sonarr are tools to track movies and TV shows respectively. You can add a movie/show to track, tell it the quality you want it in, and set up Prowlarr or Jackett to give Son/Radarr the access to the torrent trackers it needs. You can also use Usenet but I have no experience there.

    It will search those torrent trackers for releases matching your movies/shows in the quality and language you set for them and send the downloads to the torrent client you set up. When the client finishes downloading, Son/Radarr copies (or hardlinks) the files to your library folders.

    If Son/Radarr is tracking a show that you currently have downloaded in 480p, but the quality profile allows upgrades up to 1080p, it will search for 720p and 1080p releases and pick the best match it can find. When the torrent client finishes downloading it, Son/Radarr will automatically replace the 480p release with the 1080p release it just downloaded.








  • I don’t think this lends enough credit to how centralized the music industry is and the role that plays. If you want the world’s music catalogue, you need contracts with like three companies. That level of centralization makes it straightforward to get a music catalogue going with basically everything someone might want to listen to, but it also severely hampers your ability to do anything those three companies don’t want. If anyone’s wondering why Spotify is pushing podcasts so hard, it’s because that’s the only way for them to get out from under the thumb of the few music megacorps that they have to license from to stay relevant. Spotify needs a revenue stream less dependent on the big three and it sees podcasts as its way out.

    I’m sure music files being smaller and easier to pirate helped light a fire under the ass of the music industry to modernize, but that isn’t the only factor at play here and I don’t even think it’s one of the main ones. If I recall correctly, Spotify is the company who went to the music labels asking for a contract. In order to show that the tech works, they had to pirate the initial catalogue until they had deals with music labels to license the music. Spotify brought their streaming vision to the music industry, not the other way around.

    I believe Netflix had a good catalogue at first because every other company was sleeping on the streaming boom that Netflix was ahead of the curve on. Netflix could get good streaming license deals because nobody really cared about this little company they’d never heard of. As soon as everyone realized what was up, they scrambled to copy Netflix and pulled their libraries to fracture the streaming space.

    From the start, the music industry knew what Spotify was and could be and knew how to use their leverage to keep themselves on top (Spotify isn’t functionally allowed to be their own license for music creators, for example). I don’t think the movie streaming space realized what Netflix was until it blew up.

    I don’t think the problem is that movie/tv hasn’t “figured it out.” The music space would be just as fractured if it wasn’t as centrally organized. I think the problem is that the industries are just structured really differently, so they played out really differently.

    To be clear, I’m not defending the music or movie/tv industry. I just think the situations are more nuanced than “music freaked out and got their shit together and movie/tv hasn’t yet.”